通常來說AAC的頭信息在編解碼過程中是可以獲取到的，但今天需要根據音頻參數生成相應的AAC頭。項目中使用的是AAC_LC，今天先對它的結構進行分析。
項目中使用ffmpeg進行音頻編碼，音頻編碼庫為FAAC，好吧，直接看代碼吧。
ffmpeg調用Faac_encode_init()初始化編碼器；在Faac_encode_init()調用faacEncGetDecoderSpecificInfo()獲取AAC_LC頭信息內容及長度。
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int
FAACAPI faacEncGetDecoderSpecificInfo(faacEncHandle hEncoder,unsigned
char
** ppBuffer,unsigned
long
* pSizeOfDecoderSpecificInfo)
{
BitStream* pBitStream = NULL; <span style=
"font-family:Times New Roman;"
></span>
if
((hEncoder == NULL) || (ppBuffer == NULL) || (pSizeOfDecoderSpecificInfo == NULL)) {
return
-1;
}
if
(hEncoder->config.mpegVersion == MPEG2){
return
-2;
/* not supported */
}
*pSizeOfDecoderSpecificInfo = 2;
*ppBuffer =
malloc
(2);
if
(*ppBuffer != NULL){
memset
(*ppBuffer,0,*pSizeOfDecoderSpecificInfo);
pBitStream = OpenBitStream(*pSizeOfDecoderSpecificInfo, *ppBuffer);
PutBit(pBitStream, hEncoder->config.aacObjectType, 5);
PutBit(pBitStream, hEncoder->sampleRateIdx, 4);
PutBit(pBitStream, hEncoder->numChannels, 4);
CloseBitStream(pBitStream);
return
0;
}
else
{
return
-3;
}
}
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從代碼中可以看出，頭數據長度固定為2；
數據內容由高位到低位依次為：aacObjectType（5bits）,sampleRateIdx(4bits),numChannels(4bits)
例如：音頻編碼參數為：
aacObjectType:AAC_LC,對應值為2，用5bit二進制表示為00010;
sampleRate:44100KHz, 對應的IDX值為4, 用4bit二進制表示為0100;
numChannels:2，對應的值為2，用4bit二進制表示為0010；
將它們由高位到低位串起來：0001,0010,0001,0000，
則，對應的十六進制值為:0x1220
引一些參考資料：http://wiki.multimedia.cx/index.php?title=MPEG-4_Audio
Audio Specific Config
The Audio Specific Config is the global header for MPEG-4 Audio:
5 bits: object type
if (object type == 31)
6 bits + 32: object type
4 bits: frequency index
if (frequency index == 15)
24 bits: frequency
4 bits: channel configuration
var bits: AOT Specific Config
Audio Object Types
MPEG-4 Audio Object Types:
- 0: Null
- 1: AAC Main
- 2: AAC LC (Low Complexity)
- 3: AAC SSR (Scalable Sample Rate)
- 4: AAC LTP (Long Term Prediction)
- 5: SBR (Spectral Band Replication)
- 6: AAC Scalable
- 7: TwinVQ
- 8: CELP (Code Excited Linear Prediction)
- 9: HXVC (Harmonic Vector eXcitation Coding)
- 10: Reserved
- 11: Reserved
- 12: TTSI (Text-To-Speech Interface)
- 13: Main Synthesis
- 14: Wavetable Synthesis
- 15: General MIDI
- 16: Algorithmic Synthesis and Audio Effects
- 17: ER (Error Resilient) AAC LC
- 18: Reserved
- 19: ER AAC LTP
- 20: ER AAC Scalable
- 21: ER TwinVQ
- 22: ER BSAC (Bit-Sliced Arithmetic Coding)
- 23: ER AAC LD (Low Delay)
- 24: ER CELP
- 25: ER HVXC
- 26: ER HILN (Harmonic and Individual Lines plus Noise)
- 27: ER Parametric
- 28: SSC (SinuSoidal Coding)
- 29: PS (Parametric Stereo)
- 30: MPEG Surround
- 31: (Escape value)
- 32: Layer-1
- 33: Layer-2
- 34: Layer-3
- 35: DST (Direct Stream Transfer)
- 36: ALS (Audio Lossless)
- 37: SLS (Scalable LosslesS)
- 38: SLS non-core
- 39: ER AAC ELD (Enhanced Low Delay)
- 40: SMR (Symbolic Music Representation) Simple
- 41: SMR Main
- 42: USAC (Unified Speech and Audio Coding) (no SBR)
- 43: SAOC (Spatial Audio Object Coding)
- 44: LD MPEG Surround
- 45: USAC
Sampling Frequencies
There are 13 supported frequencies:
- 0: 96000 Hz
- 1: 88200 Hz
- 2: 64000 Hz
- 3: 48000 Hz
- 4: 44100 Hz
- 5: 32000 Hz
- 6: 24000 Hz
- 7: 22050 Hz
- 8: 16000 Hz
- 9: 12000 Hz
- 10: 11025 Hz
- 11: 8000 Hz
- 12: 7350 Hz
- 13: Reserved
- 14: Reserved
- 15: frequency is written explictly
Channel Configurations
These are the channel configurations:
- 0: Defined in AOT Specifc Config
- 1: 1 channel: front-center
- 2: 2 channels: front-left, front-right
- 3: 3 channels: front-center, front-left, front-right
- 4: 4 channels: front-center, front-left, front-right, back-center
- 5: 5 channels: front-center, front-left, front-right, back-left, back-right
- 6: 6 channels: front-center, front-left, front-right, back-left, back-right, LFE-channel
- 7: 8 channels: front-center, front-left, front-right, side-left, side-right, back-left, back-right, LFE-channel
- 8-15: Reserved